The very notion is deliciously ghoulish: What happens to earth if--or when--people suddenly vanished? The History Channel presents a dramatic, fascinating what-if scenario, part science fiction and part true natural science. "Welcome to Earth, Population: 0" is the catchy tagline,
Life After People's 94 minutes are so gripping you nearly forget while you watch that you, yourself, will be gone too. It turns out that earth can go along very nicely without us. The hardest part of the special is probably in the first 15 minutes, when pet owners confront what likely will happen to their dogs. As the fictional days and weeks tick by, the process of nature's reclaiming the planet becomes less grim and more fascinating. The impact of the lack of people will be noticed right away, as most power grids shut down around the planet. The one holdout: Hoover Dam, whose hydro power lights up the American Southwest. Scientists say the dam can continue to operate on its own for months, maybe years, keeping the Vegas Strip alight. Only the eventual accumulation of quagga mussels, an invasive species, in the cooling pipes of the power plant--currently being cleaned by humans--will shut down the dam. Elsewhere, critters and plants will have their run of Manhattan and every other previously "civilized" spot. Inventive photography shows bears clambering out of subway stations, and vines pulling down brownstones, then skyscrapers. It may not be a surprise when the Eiffel Tower and Space Needle meet their eventual fates, but the scenes nonetheless provide a pleasant sting of shock.
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From a local "zine" in New Jersey to a national probing of the bizarre, the unexplained, and the really strange, two friends named Mark host the oddest travel show this side of freaky.
Presented by the History Channel, Weird U.S. , Volumes 1-3 takes an unforgettable side trips into the weirdest nooks and crannies of American history. Hilarious, wacky and sometimes plain disturbing, Weird U.S. explores everything from mysterious wallets made out of human skin, to retirement communities for sideshow performers, to graveyard getaways near the swamplands of the south.
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Like the bestselling book upon which it's based,
The Kite Runner will haunt the viewer long after the film is over. A tale of childhood betrayal, innocence and harsh reality, and dreamy memory,
The Kite Runner faces good and evil--and the path between them, though often blurry and sorrowfully relative. Director Marc Forster (
Monster's Ball,
Finding Neverland) presents a painterly vision of Afghanistan before the Soviet tanks, before the Taliban--lush, verdant, fertile--in its landscape and in its people and their history and hopes. The story follows two young boys' friendship, tested beyond endurance, and the haunting of their adult selves by what happened in their youth--and what horrors befall their country in the meantime. The performances of the two boys--Zekeria Ebrahimi (Amir) and Ahmad Khan Mahmidzada (Hassan)--are the film's strongest, unforced and gently evocative. The penance paid by their adult selves is foreshadowed, but never predictable--and the metaphor of innocence lost, a common theme in Forster's work, keeps the film, like the title kites, truly aloft.
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Mythology and the modern world collide in this epic quest for justice by Percy Jackson (Logan Lerman), your basic below-average, misfit student whose family life is a mess and who's misunderstood by everyone except his best friend, Grover (Brandon T. Jackson). A voice warns that everything is about to change as Percy enters the New Roman and Greek Art Gallery on a school field trip, and, indeed, it does. Percy's substitute teacher morphs into a mythical beast and tries to attack him, and it's revealed that Percy is the son of Poseidon, and a true demigod. Percy also discovers that Grover is really a satyr--half-human, half-goat--and his sworn protector, and that one of his teachers is a centaur--half-horse, half-man--who's more committed to Percy's education than he could ever have imagined. On top of it all, Percy is the prime suspect in the recent theft of Zeus's lightning bolt and is being hunted by the gods. Following these shocking revelations, Percy is taken to a special training camp to learn to control and use his exceptional powers, and in the process, his mother is imprisoned by Hades. Against all advice, Percy, his protector Grover, and Annabeth (Alexandra Daddario), daughter of Athena, leave camp to rescue Percy's mother from the underworld. Their quest is extremely dangerous and puts them squarely in the path of Medusa (Uma Thurman), with her venomous hair and gaze that turns people to stone. The three also battle a five-headed, fire-breathing beast and visit a Las Vegas casino patrons never leave, and finally they find themselves deep in the underworld, at the mercy of the unpredictable Persephone, wife of Hades. Somehow, Percy must both convince the gods he did not steal Zeus's lightning and prevent a war of the gods that could potentially destroy the entire world. Based on the books by Rick Riordan,
Percy Jackson and the Olympians: The Lightning Thief is an exciting action film rich with ancient mythology, yet set squarely in the 21st century. Enriched by strong special effects and some potently disturbing images, it is a powerful story about family, trust, determination, and love.
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Antarctica is the wildest, coldest, most isolated continent on Earth. Encrusted in 90% of the world's ice, its 5.4 million square miles are doubled each winter by the freezing of the seas. The average temperature at the South Pole is -56, dropping to -90 and below in mid-winter. Yet this inhospitable landscape is home to a surprisingly rich variety of wildlife. Natural history guru David Attenborough and his camera team spent three years braving mountainous seas, blizzards with 100 mph winds, plummeting temperatures and glaciers the size of cathedrals to capture the majesty of Antarctica both on land and underwater. In this starkly beautiful landscape, they discover penguins by the millions, whales by the thousands, half the world's seal population and seabirds galore.
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The Boy in the Striped Pajamas is most powerful in the details: The casual brutality of a Nazi lieutenant; the uncomfortable juxtaposition of the family's domestic life with glimpses of the treatment of the imprisoned Jews; a ghastly propaganda film suggesting that life at Auschwitz was like a holiday. But more than anything else, Butterfield's performance makes this film compelling. The young actor perfectly conveys Bruno's limited perspective even as the film carefully unveils the larger, darker reality. The movie's ending will undoubtedly spark arguments, but only because of the emotional complexity of what happens-
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For most Americans, the ideal meal is fast, cheap, and tasty.
Food, Inc. examines the costs of putting value and convenience over nutrition and environmental impact. Director Robert Kenner explores the subject from all angles, talking to authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (
Fast Food Nation), Michael Pollan (
The Omnivore's Dilemma), Gary Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for more rigorous standards since E. coli claimed the life of her two-year-old son. The filmmaker takes his camera into slaughterhouses and factory farms where chickens grow too fast to walk properly, cows eat feed pumped with toxic chemicals, and illegal immigrants risk life and limb to bring these products to market at an affordable cost. If eco-docs tends to preach to the converted, Kenner presents his findings in such an engaging fashion that
Food, Inc. may well reach the very viewers who could benefit from it the most: harried workers who don't have the time or income to read every book and eat non-genetically modified produce every day. Though he covers some of the same ground as
Super-Size Me and
King Corn,
Food Inc. presents a broader picture of the problem, and if Kenner takes an understandably tough stance on particular politicians and corporations, he's just as quick to praise those who are trying to be responsible--even Wal-Mart, which now carries organic products
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Filmmaker Morgan Spurlock, rejected five times by the USC film school, won the best director award at the 2004 Sundance Film Festival for this alarmingly personal investigation into the health hazards wreaked by our fast food nation. Under extensive medical supervision, Spurlock subjects himself to a steady diet of McDonald's cuisine for 30 days just to see what happens. In less than a week, his ordinarily fit body and equilibrium undergo dark and ugly changes: Spurlock grows fat, his cholesterol rockets north, his organs take a beating, and he becomes subject to headaches, mood swings, symptoms of addiction, and lessened sexual energy. The gimmick is too obvious to sustain a feature documentary; Spurlock actually spends most of the film probing insidious ways that fast food companies worm their way into school lunchrooms and the hearts of young children who spend hours in McDonald's playrooms. French fries never looked more nauseating.
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Today's world is not the world we grew up in, and today's world is certainly not the world our children will live in. Because of the dramatic changes our world has undergone, today's students are not the students our schools were designed for, and they are not the students today's teachers were trained to teach.
This keynote examines the effect digital bombardment from constant exposure to digital media has on our children in the new digital landscape and considers the profound implications this holds for the future of education. What does the latest neuroscientific and psychological research tell us about the role of intense and frequent experiences on the brain, particularly the young and impressionable brain?
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The Boy in the Striped Pajamas is most powerful in the details: The casual brutality of a Nazi lieutenant; the uncomfortable juxtaposition of the family's domestic life with glimpses of the treatment of the imprisoned Jews; a ghastly propaganda film suggesting that life at Auschwitz was like a holiday. But more than anything else, Butterfield's performance makes this film compelling. The young actor perfectly conveys Bruno's limited perspective even as the film carefully unveils the larger, darker reality. The movie's ending will undoubtedly spark arguments, but only because of the emotional complexity of what happens-
